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‘Creativity’ Category

  1. video interview: katelan foisy

    August 22, 2009 by Tash Keuneman

    A conversation with Katelan Foisy.

    Katelan Foisy is an illustrator, self-portrait artist and all-round creative person. She started studying illustrations in PRATT in 1997 and after finishing her course did the most unusual thing of emailing art directors and actually starting coversations. Her work took off and last year she started working on a book of self-portraits called “They Be We”.

    One summer evening in New York, I sat down with Katelan and discussed her work, her lust for life and her latest book, “They Be We”, a self-portrait project that 15 independent, creative women took on.

    Notice how I was so nervous I didn’t even look at the camera. Wow, go Tash! I should have done broadcast journalism instead of print.

    Click on the image to be redirected to They Be We.

    Click on the image to be redirected to They Be We.


  2. Is your work area cluttered or clean?

    August 2, 2009 by Tash Keuneman

    I haven’t sat at my desk for months. Not because I haven’t been working, I’ve just migrated to the couch for the summer. My desk has stacks of loosely gathered clutter and it rather overwhelms me. Reading Leo Babauta has made me analyse my work area so much that I can’t concentrate at my desk – which sometimes works against me, after all, clutter is my middle name.

    When I lived in Bathurst I had strewn on my desk jewellery, photos, books, CDs, the pill, business cards. And I was happy. My clutter served as visual reminders of what I needed to get done. But now, I am neither here or there.

    Clutter is great if you’re constantly looking for inspiration. I’ve read many bloggers that dedicate posts to inspiration walls. Looking at photos can change your mood. If you’re a negative thinker, a great quote could snap you out of your bad thoughts. Clutter, when done correctly, can act as a reminder of warm occasions and change your train of thought to happier things:

    Post-tequila shots while playing Uno. That's how we roll.

    Post-tequila shots while playing Uno. That's how we roll.

    New Years Eve 09. Clearly, we're breaking out the moves.

    New Years Eve 09. Clearly, my brother and I are breaking out the moves.

    The downside of clutter is that you’re always jumping here and there with your visual reminders.

    I’ve become a believer that a clear desk encourages a clear mind. Through a year of training myself to focus at the task on hand, I can no longer watch T.V or talk on the phone while I’m writing a blog post. It’s all or nothing. They say women can multi-task, that’s bullshit. I have the multi-tasking skills of an amoeba.

    Personally, I accomplish more when I take down things from my wall and see only the black varnish of my table. But it took me a while to realise that everything has it’s place. For Tash Clutter Jayasinghe, it’s a constant up hill battle that I’m glad I’m fighting.

    Understand when I say workplace, I imply somewhere that you work, which more often than not, can mean the couch. As long as you can work, I’d count it as an office.

    The majority of my readers work from home, a magnet for clutter. I’d like to hear if you prefer clutter or clear work areas and why.


  3. Street photography to inspire

    July 31, 2009 by Tash Keuneman

    A Wired interview/shoot with Clay Enos. I love this man’s no bullshit approach. The sun is his light, he’s anything but shy and he uses a 50mm lens to get what he wants.


  4. A blast from the mediascape past

    July 24, 2009 by Tash Keuneman

    Notes I made in 2006 about the changing media. It seems that in 2009 there is a slow blending of the two; new, evolutionary media and the old media playing catch-up.

    • Old Media: Pre-internet era; film, T.V, radio, print. Big business and big money.
      In a formal and instructive tone, tell your audience the definitive truth. This media has the capacity to publish large amount of facts and data.
    • New Media/We Media: Internet-based for production, delivery and storage. Small business, no or minimal money.
      In an informal and conversational tone. Audience will share items they find interesting within their own trust network, thus creating their own truth. We media tools are used to facilitate trust, transparency, engagement and communication. Dig journalism: A discussion in which readers may know more than the journalists. The audience will act as a “smart mob” to fact-check stories (Just like Twitter now, I suppose). Multiple first sources and select facts and data.

    Old VS New

    Tell Your Audience  VS Build Community

    Transmitting Stories VS Engage + Participate

    Formal + Instructive VS Informal + Conversational

    I guess my years at university paid off if these were the notes I was making three years ago in a digital journalism class.


  5. How to write an essay

    July 17, 2009 by Tash Keuneman

    You could write the bones of an essay in under five minutes if you know what’s required. Here’s the skeleton to get you started.

    An essay is made of three things, an introduction, body and conclusion. When compiling your essay, even if it’s a timed test, jot down five strong points and four not so important points that will expand on your idea. Under each point write down one or two references or case studies, the less words you write now, the better. This is meant to sort out your head.

    Once you’ve vomited your train of thought onto the page, write down numbers next to each point so you can build your essay into an argument strong wall.

    One example would look like what I jotted down for my critique of T.S Eliot’s the Hollow Men:

    tselliot

    Start on your introduction by addressing the essay question in your first sentence. The whole point of an intro is to say, I’m going to change your mind by presenting these points of argument. It shouldn’t be longer than four sentences and should always be straight to the point.

    Every idea you present in the body should be included in the introduction.

    T.S Eliot drew on his lifelong research on Dante and his new found anglo-Catholic beliefs to compile his poem; the Hollow Men, a more cynical take on the Lord’s Prayer. Guy Fawkes, a figure in history that tried unsuccessfully to overthrow his house of parliament, is referenced throughout the poem as well as Joseph Conrad’s tale of isolation, Heart of Darkness. T.S Eliot uses these sources to build a compelling story of angst and dispair.

    The body paragraphs should be an outline: the first sentence is what you believe, the second, third, fourth and fifth sentence should be sources, quotes and references. The sixth sentence should bring your first idea and combine it with the sources to bring about an argument that leaves no room for doubt.

    Prior to writing the Hollow Men, T.S. Eliot wrote extensively about Dante, particularly the great masterpiece, the Divine Comedy, this would have influenced his own writing. The Cambridge Companion to T. S. Eliot (Moody, 1994, p. 19) informs that “Eliot’s time at Harvard furnished a sum of intellectual capital – Dante – that he drew on for the rest of his life. He also relied on its resources as he wrote his first mature poetry”. Unlike the Divine Comedy, T.S. Eliot’s characters never reach the comforting arms of Beatrice, which he portrays as a shallow sham that offers no real peace.

    “Those who crossed
    With direct eyes, to death’s other Kingdom
    Remember us – if at all – not as lost
    Violent souls, but only
    As the hollow men
    The stuffed men.” (13 to 18, Section I)

    Eliot’s lack of romantic views when describing those that have gone to heaven illustrates how he has taken Dante’s idea and turned it on it’s head.

    Your conclusion shouldn’t be longer than five sentences. Never, ever introduce a new idea in your conclusion. It’s better to create a whole new paragraph into your body than to introduce a new train of thought. Summarise what you’ve already said and leave the essay with your strongest point.

    In conclusion, [insert points]. Eliot drew on several rich with mythology sources that he twisted into a morbid and empty story that showed his view of the Christian after-life.

    Pointers:

    • Never say “I” or “in my opinion” in an essay, this is supposed to be an objective argument. This is a golden rule and if you break it, the English gods will smote you.
    • Never say “you”, this is not a conversation, people.
    • The more formal the language, the better.
    • Even though you’re showing your side of the case, it helps to include other train of thoughts, to build your credibility more than anything else. Only do this if you have the extra time and word count and prove why you’re dismissing the other side by saying your point/sources are stronger.
    • Always take the time to reference correctly, this gets you easy extra points.
    • Don’t use shifty sources that contradict themselves.
    • That being said, don’t contradict yourself either, stick to a game plan.

    If I’ve missed a crucial element, let me know and I’ll add it.


  6. Sublime

    July 13, 2009 by Tash Keuneman

    © Tash Jayasinghe

    © Tash Jayasinghe

    Sublime: that which is profoundly beautiful.

    It can be terrifying or disturbing. It will certainly be challenging and extremelly well wrought.

    It is not the only form of beauty but it is one of the most important as it evokes issues held somehow sacred. Thus, it entails the wider axiological triangle of ethics, morality and aesthetics.


  7. Adaptation of e.e. cummings

    July 10, 2009 by Tash Keuneman

    I love it when someone takes a piece of art and changes it to their own expertise, not copying something, but completely changing by adding a part of yourself.

    Björk is one of my top five most creative people in the world and I adore her vocal adaptation of an e. e. cummings poem, Sonnets/Unrealities XI.

    it may not always be so; and i say
    that if your lips, which i have loved, should touch
    another’s, and your dear strong fingers clutch
    his heart, as mine in time not far away;
    if on another’s face your sweet hair lay
    in such silence as i know, or such
    great writhing words as, uttering overmuch,
    stand helplessly before the spirit at bay;

    if this should be, i say if this should be–
    you of my heart, send me a little word;
    that i may go unto him, and take his hands,
    saying, Accept all happiness from me.
    Then shall i turn my face and hear one bird
    sing terribly afar in the lost lands

    - e. e. cummings

    Björk’s adaptation:

    Björk – Sonnets/Unrealities XI


  8. Ten great editing tips

    July 1, 2009 by Tash Keuneman

    Sub-editing can be challenging and intimidating. How can one be constructive and critical at the same time? Here’s a walk through of how to edit a story, piece, article, even if it’s your own work.

    Spend 15 – 20 minutes on each page.

    Quickly read the first two paragraphs to get a sense of the content. If a headline pops into your head, put it in even if it doesn’t fit.

    Start subbing, sentence by sentence.

    Keep an eye out for:

    1. Spelling mistakes. If you’re in America, use American spelling. If you’re in the rest of the world, add more “u”s in your words. Double check if you’re unsure. In Australia, if you use American spelling, it’s a mark against your name.
    2. Style mistakes. If you’re working for a big newspaper/magazine, chances are they have their own style guide. I once created a style guide for a company that had eight staff, so always ask.
    3. Keep your eye out for mixed tense. It’s a slippery slope of past and present tense.
    4. Double check every fact with books,the reporter or a (reputable) source from the internet. Since the www, there’s been countless cases where a rushed sub-editor put in the wrong picture/fact about two people with the same name.
    5. Make sure there isn’t too much white space or split words. The text should flow. For example, see if you can see the excess white space on the right hand side column. This isn’t too important for online content, if anything, online, the more sparse an article seems, the better.
      example
    6. Poorly written copy is a mistake. Correct it. On the other hand, don’t re-write it to your own style. Only correct structural errors or glaring mistakes. As a sub-editor once said to me “let the writer’s work breathe, even if it deserves suffocation.”
    7. Check names. Make sure the spelling is consistent.
    8. Never rely on spell check.
    9. Don’t forget to sub captions.
    10. Once done, focus on the headline. If you could fit a verb, some kind of action or colourful word, great!

    If you’ve got your own tips, don’t forget to add them.